![]() ![]() Acland and Eric Hoyt – a cutting edge collection of work both surveying what media historians are doing with digital tools and charting a course for how the field of media history might move forward in an ongoing dialogue with the digital humanities. In June 2016, REFRAME Books published The Arclight Guidebook to Media History and the Digital Humanities, edited by Charles R. ![]() The collection was the outcome of a five-day gathering at the University of Sussex’s Attenborough Centre for the Creative Arts in June 2016, and includes peer-reviewed submissions from musicians, dancers, roboticists, brain scientists, visual artists, philosophers, animators, sculpturists, and more, the proceedings illustrate the range of activities encompassed by this lively platform for knowledge exchange and new performance practices. In October 2016, REFRAME Books published Proceedings of the 2016 International Conference on Live Interfaces, edited by Thor Magnusson, Chris Kiefer and Sam Duffy. This imprint was launched in Spring 2015 with the publication of The Tablet Book, edited by Caroline Bassett, Ryan Burns, Russell Glasson and Kate O’Riordan, a collection of original research essays which mobilise a range of perspectives and approaches in thinking about and understanding the tablet computer. REFRAME Books publishes open access scholarly contributions to the fields of media, arts, and humanities in a variety of e-reading formats.
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